Thursday, March 16, 2017

MIDTERM

Diana

Emily

Jennifer
All this week the class was working on their Midterm Drawings during portfolio review. The still life consisted of all white objects. The objective was to create a balanced composition addressing light and form. Diana's drawing is well balanced illustrating soft, even values of a high key range. The dark areas are very well balanced against the lighter areas adding support to central forms.
Emily has also employed a high key value range. The placement of the forms encloses the negative areas allowing the gradation in the background to support the still life.
Jen has managed to engage with all four sides of the picture plane. The values are rich, skillfully addressing the light and form. The full value range is complemented with energetic and dynamic mark-making.

Thursday, March 9, 2017

COMPOSITION: Atmospheric Perspective

Leslie

Rio
Last night the class made drawings employing the Distal Cues specifically addressing atmospheric perspective. Both compositions above exhibit strong attention to the negative areas as well as the edge of the paper. Notice that the objects touch all four sides of the paper. Leslie's drawing exhibits a high horizon line, located in the top third of the paper. The objects are very well proportioned to the paper. The horizon line in Rio's drawing is off the page, above the image area. Again the forms are large with boldly rendered values. Both drawings have very well balanced compositions illustrating the importance of paying attention to the relationship between positive and negative areas. In addition, the two drawings have successfully divided the space into foreground, middleground and background, a key component of using atmospheric perspective.

Tuesday, March 7, 2017

VALUE: Still Life

Jennifer
Last night the class continued with the concepts introduced last week. Instead of imagining the ideal solids the class drew from a still life. The objective was to touch at least two sides of the picture plan and to start the process of developing values by addressing one at a time throughout the composition. In other words, place all the white areas, then light gray, dark gray and lastly black. Once a base value had been established throughout, the values were then modeled to add volume.

Thursday, March 2, 2017

COMPOSITION: The Distal Cues

Dylan

Jennifer

Ryan
Last night the class made drawings employing the Distal Cues (more info on that in the tab above). The objective for these drawings was to create a composition addressing the Distal Cues and touching 3 to 4 edges of the paper. Notice in Dylan's drawing the absence of pure white and black. Working primarily with a midtone value range creates a very unified and calming, somewhat somber atmosphere.
In contrast to Dylan's, Jennifer's drawing is very dynamic with a full range of values and energized and active mark-making accentuating the volume of the forms and suggesting turbulence in the background.
Ryan has very effectively used value for dramatic effect. The objects appear as if they are about to be pushed forward by an incoming dark mass. The dynamics of the values is increased by using extreme contrasts of white and black juxtaposed against each other. The forward thrust is enhanced by the tilt of the cube.

Tuesday, February 28, 2017

COMPOSITION: Cropping

Jill

Rio
Last night we made a series of studies exploring different ways of "cropping" a single object. Students then chose the best one to develop into a finished drawing. One of the issues raised last night was the use of verticals and horizontals vs. diagonals. Vertical and horizontal compositions, like Jill's at the top, establish stability. Think about architecture. Diagonals as in Rio's drawing, are more dynamic. Placing an object on a diagonal introduces triangular negative areas into the rectangular frame. Cropping, in general, may enclose and/or divide the space resulting in more interesting and active negative areas.

Friday, February 24, 2017

VALUE: Emphasizing light

David

Dylan
Last Wednesday the class made drawings emphasizing the light patterns over volume by employing a single directional hatch or scribble technique. David has created a very dynamic composition with rich values and energetic marks that sweep across the space and around the forms. The location of similar values throughout the image establishes a rhythm that keeps the "eye" moving.
Dylan's drawing exhibits a very strong sense of light and mood. The transitions in value are very controlled as is the hatching. The limited value range has created a very unified and warm environment.

Thursday, February 16, 2017

VALUE: Local Value 3

Emily

Jennifer

Ryan
Last night we continued with Value. The objective was to render three objects with three different local values; dark, medium and light. Emily's drawing clearly illustrates the three different local values. Furthermore, she has rendered each object with volume and light without employing contour lines. The edges are defined with contrasting values. Volume and light is illustrated with smooth, even gradations.
The objects are very well proportioned to the paper's dimensions in Jennifer's drawing. She has emphasized the light patterns. This is most evident in the reflections of the dark vase. In addition, the negative space is divided into two rectangles with the inclusion of the horizontal line suggesting the table edge.
Ryan, too, has divided the negative space with a horizontal line. His drawing is different in that he has used line and tone together. The two elements are very complementary, neither over powering the other, both striving to address form and volume. Like Emily's drawing, the bold values and smooth gradations illustrate the light and volume of the forms.