WET MEDIA: Wash Drawings

David

Dylan

Michelle

Last night the class made wash drawings employing mostly a "dry on dry" technique. This approach requires working in layers of the same water/ink mixture. Each layer is allowed to dry before successive layers are applied. This yields clearly defined values illustrated in David and Dylan's drawings. In contrast, Michelle has applied a "wet on wet" technique in addition to the previously mentioned method. This is how she achieved the cosmic effects with splatters and bursting shapes within the background.

INK: Wash Drawing

Megan Svendsen

Ray Colby

Last night the class began working with wash. When new to this technique it is best to choose a subject with clearly defined planes, like blocks, boxes, paper bags, etc. The approach is simple. 1. Mix a solution of ink and water for the lightest gray tone (mixing ink is like all other mediums, "dark into light", in other words it is preferable to add ink to water, not the other way around). Apply this wash to the entire surface except the areas you wish to be white. Allow to dry (a hair dryer will speed things up.) 2. Using the same wash or with a bit more ink added, apply the next wash to everything except what is to remain white and the first gray. 3. Continue layering washes until you reach the desired tonalities. Note: It is important to allow the washes to dry completely between layers for the utmost clarity and definition of tone.

INDIA INK: Wash Drawings (Large Still Life)

Techi Brant

Last night students continued drawing with ink wash. Techi's drawing above is well balanced rich with values and mark-making. She has effectively activated all edges of the composition as well as the interspace negative areas. The light and dark values move the "eye" from foreground to back. The dark values support the forms and establish passages for rhythm and movement.