VALUE: Texture and Mood

On Friday the class made value drawings addressing texture, mood and volume. In addition to addressing the local values discussed in last week's lessons, students applied individual textures to the objects and the space. You's drawing exhibits a keen observation of the categories of light. In addition, there is a skilled handling of the materials capturing the many surface variations without overwhelming or flattening the volumes.

You Nara

Ever Arango Lopez

Ever's drawing is rich in contrasting values as well as texture. The objects and the space possess individual textures yet remain unified within the whole composition. His attention to the details of the gas can capture the character of the object while establishing a pleasing use of repetition.

Dorothy Fast

Rainey Hoaglin

Dorothy and Rainey's drawings are from the afternoon session. Dorothy's employment of high key values produces a tight grouping of the objects where the forms are defined by texture rather than value. The dark background in stark contrast to the objects establishes a strong separation of foreground and background. Rainey's drawing illustrates a very theatric and dreamy lighting condition. The objects appear to be illuminated from within. Her use of the vignette controls the light and the ghostly, incompleteness of the forms evokes a sense of the paranormal.

VALUE: Mood

Amelia Ketzer Dean

John Burgess

Jonathan Martinez

On Wednesday the class continued working with value studies. In addition to texture and the categories of light, the class tried to address a sense of "mood". Amelia's drawing at the top is rich in value and texture. Her invention of the corner adds to the environment creating the appearance of locating these objects within a closet or shed. John's drawing in the middle exhibits a more dramatic sense of light with his "accenting" of the edges of the objects within the negative space. All of the objects possess a strong, individual character and texture as well as volume. Jonathan's drawing at the bottom exhibits  large geometric shapes complemented by bold contour lines. This drawing is very well composed and balances the positive and negative areas with equal importance adding to the success and unity of the composition.

MIDTERM DRAWINGS

Erin Currie

Erin Deacon

Kayla Brown

Meghann Lyon

Above are four excellent examples of the Midterm Drawing Exam. Each composition is well balanced with strong attention to the negative and positive relationships. Notice how each composition has engaged with the edges of the paper. The objects are well proportioned and rendered with attention to the volumes and light. When contour lines are present, they are complementary to the values strengthening the structure, texture and character of the objects and space. In addition, each student has successfully achieved a strong and individual mood in their use of value ranging from the calm to the dramatic.