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| Joy Montague |
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| Shiho Nakagawa |
Monday, February 15, 2016
ACTIVATING THE POSITIVE AND NEGATIVE: cropping
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Last Wednesday we started discussing the topic of Composition, specifically different strategies for activating and engaging with the negative areas. Both of the drawings above are "cropped" views of tools emphasizing the most interesting parts rather than trying to fit the whole object on the page. By cropping the objects, the negative areas are isolated playing a more important role in the balance and visual interest of the composition.
Chronicling the daily lectures and discussions with examples of class demonstrations and student work.
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2016
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February
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- VALUE: Distal Cues and Subjective Use of Value
- VALUE: Two Object Compositions
- VALUE: Subjective
- PROPORTION: Sighting diagonals POSTIVE AND NEGATIV...
- DISTAL CUES: Composing with the Ideal Solids
- ACTIVATING THE POSITIVE AND NEGATIVE: cropping
- ONE AND TWO POINT LINEAR PERSPECTIVE: Blocks
- PROPORTION: Gesture Review and Sighting
- PROPORTION: Seeing Ideal Forms within Complex Objects
- IDEAL SOLIDS
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February
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